Hate clothing celebrates violence in the name of a cause, often using patriotic images and phrases and calls to act like an American along with Islamophobic, anti-Semitic and white supremacist messages. In this way, far-right clothing links being a patriot with being violent and xenophobic.
Studies of hate music have shown how hateful lyrics can spread intolerance and prejudice against minorities. In the same way, hate clothing can expose consumers to extremist opinions, shaping ideological views on immigration, religion, violence and gun control toward the extremist fringe and opening the door to further engagement and more dangerous actions. In Germany, I found that brands marketing hate offer legitimacy, signal membership and ideology to far-right insiders, and act as an entry ticket to concerts and underground events where dressing normally would raise a red flag. Far-right clothing also acts as an icebreaker for youth to strike up conversations in school, at stadiums, in bars, and at parties.
Clothing messages also call consumers to action in ways that have been shown to be effective in recruiting followers, whether in populist campaign promises to make a nation great “again” or in extremist calls to restore a caliphate. In the U.S., calls to action in clothing iconography include messages that express anti-government sentiments, valorize violence, describe a “new revolution,” and call on consumers to defend the Second Amendment. Such calls to action need to be understood in light of T-shirts sold on the same websites that tell consumers “It’s OK to be white” and that “you can’t co-exist with someone who wants to kill you” – the T-shirt worn by the woman in Arizona.
Let me be clear: Free speech is an important American value, protected by the First Amendment. I would not recommend government monitoring or legal censorship of clothing. But in the face of ever-more retail that traffics in far-right ideology, there are steps we can take.
For decades, journalists, civil society and watchdog groups have monitored white power and hate music in the U.S. and Europe, documenting the music’s production, sale and distribution and its impact on recruitment to white supremacist scenes. The same groups can put pressure on clothing manufacturers and distributors not to produce or sell these items. This strategy worked after Charlottesville, when Spotify removed white power music from its platform, and other tech companies — including YouTube, GoDaddy and Twitter — pledged to monitor and remove accounts linked to white supremacists.
Can a T-shirt cause extremist violence? Of course not. But like other gateways to far-right extremism — secret Facebook groups, racist music lyrics, alt-right conferences and campus speaker confrontations — clothing should be taken seriously as an entry point. If we are going to find ways to disrupt radicalization toward hate, we need to identify — and intervene in — as many of these gateways as we can.
Professor Cynthia Miller-Idriss is a Senior Fellow at CARR, and Professor of Education and Sociology at the American University, Washington D.C. Her profile can be found here:
© Cynthia Miller-Idriss. Views expressed on this website are individual contributors’ and do not necessarily reflect that of the Centre for Analysis of the Radical Right (CARR). We are pleased to share previously unpublished materials with the community under creative commons license 4.0 (Attribution-NoDerivatives).
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